Wednesday, 30 April 2014

"Tiffin Box" ~A pi( Performers independentr) production

few lines from PROTHOM PROTISRUTI

few lines from PROTHOM PROTISRUTI,
a performance triptych by Pi.
14feb'2014.3,5,7PM.NANDAN COMPLEX,kolkata.
 

The performance took place in three segments image-narrative. In the first segment Amitava, Rituparna, and Uma entered the space of performance and started engaging in the mundane activities of domestic personal space – Amitava grinds black cumin, Uma washes her arms, face and neck, Rituparna applies kajal to her eyes and tries to make her hair. Chirantan sits on his knees and makes a floor design with chalk pieces, moving and stretching his body. Rupan sings “naa go eije dhula amar naa ae..” by Rabindranath Tagore that Rituparna tries to resonate. Taufik reads out a fragment of the novel ‘Prothom Protisruti’ by Ashapurna Devi.
‘Prothom Protisruti’ is the first part of a Realist trilogy about three generations of women at various stages of liberty of personhood, written in the early 1960s, situated in late nineteenth and early twentieth century.
The performance is done in three segments for around 15min each with a gap of one hour, enacting different domestic activities involving body. In the Nandan campus, ‘Charukala’ an annual exhibition of Fine Arts was going on, which is sponsored by West Bengal State. When the second segment was being performed, a police man interrupts saying this cannot be done here as a State sponsored event is going on. Otherwise it requires permission. An argument broke between Taufik and the policeman which Taufik had stretched by eventually making time for the activities to be completed by accompanying performers. The interesting thing about it is the policeman, representing the State, got implicated in the performance. For a few minutes it was the presence and display of power of the policeman contrasted with the intimacy of the space that the performative activities have created. In the technically ‘cultural space’ of the State – Nandan – this performance is not “cultural”. Then what is it? Where can we make space for such voice that is expelled by the definitions of dominant ideology of culture? By the very effort to expel (and it was literally in this context) from the space of dominant culture they make such performative engagements “extra-cultural”. And it is this position of “extra-cultural” that provides the political disagreement and dissent to logically contest the State and dominant culture.
So, the plan for the third segment was more challenging and filled with potential for fun!! We returned to the space and started the activities in an invisible manner. Uma, Babun and Rituparna sat under a tree and started braiding each other’s hair into one, connecting the three heads which, produced curiosity and laughter in the minds of the spectators. Chirantan started lighting incense sticks with the help of one burning incense stick. Taufik walked around the space and later started reading the text accompanied by Rupan’s singing. Amitava started sketching the activities. All the activities are mundane in their general form. But these mundane activities were transformed through the performative enactment of them in the space by subverting the normal behaviour. The performative acquired absurdity. And this is a response to the efforts to expel a voice that was speaking of something in a comprehensible language. Thus the situation provoked the language of nonsensical and the absurd that involves the disturbance created by the dominant discourse in the name of “good culture” which is structurally exclusive and emotionally oppressive. The “extra-cultural” seems to be a promising radical position to encounter the bastion of dominant culture that needs to be adequately theorised. Lets make it happen.

facebook link:
1.https://www.facebook.com/media/set/?set=a.581241408630476.1073741834.340891092665510&type=1
2.https://www.facebook.com/media/set/?set=a.581244281963522.1073741835.340891092665510&type=1
3.https://www.facebook.com/media/set/?set=a.581244628630154.1073741836.340891092665510&type=3

Tuesday, 4 March 2014

"THIS IS BLOOD : an obituary "

Bleeding concretes bleeding trees bleeding brushes bleeding existence
"THIS IS BLOOD : an obituary "
A Pi( Performers independent) performance initiated by Syed Taufik Riaz ,
Nandan Complex,kolkata , 12.02.14 ,7pm — at Nandan


Animation and Poster : chimuk 


 

Tuesday, 10 December 2013

kipaf 14

KIPAF 2014 invites fellow performers/artists to participate in this issue of performance festival to be held in Kolkata from 23rd to 26th of January, 2014.

Curatorial Note
Every Indian city has its specific forms and activities of everyday and mundane, emerged/emerging in the process of modernization of urban space. The uniqueness of those specific forms has been in constant existential tussle with the newer and, more exploitative forms of capitalism, from quite some time now. Figuratively the city of Kolkata today stands between an aspiration for neo liberal future—to be a global city, and an imagination which revolts against the idea, along with anxiety about the widespread violence that would ensue. Available political discourses represent this moment of flux to make a case in favor of or against development. We at KIPAF see this  ‘tussle’ as living proof  of the politically conscious, represented in their mundane expressions of resistance, as the city seeks to live up to another surge of global modernism. One of the sites for widely experiencing this politically rich content is Kolkata’s street culture. We offer you a platform to explore this political edge in the ‘mundane expressions of bared souls’ of the city by delving into the everyday, and articulating through your performances how the city symbolizes ways of resisting as well as negotiating identity—the very material condition of being human, as well as its foreclosures.

This year we plan to continue with our emphasis on movement as a way of being, and remember the travels of Parvez Kabir, a fellow artist and faculty at Kalabhaban, Shantiniketan, who left us rather suddenly this year. We shall use interactive spaces of everyday life as our platforms, move from one place to another, through serpentine alleys, performing as we go. We shall study the travels between life and death in the city’s old architectural inheritances—the ruined remains. We shall travel by tram, which too shares with Kolkata the paradox of being anachronistic as well as indispensable.  We shall take over roof tops to recreate interactive spaces for performance, and perform at the Ganges ghat.

Performers independent will host and arrange for accommodation and food of the guest participants at our homes and studios. We cannot however provide travel expenses to and from Kolkata.

KIPAF 2014 : our annual commune to expand the circle of friends

Our position:

We don’t ask for project proposals from artists. We would like to invite everybody interested. Unfortunately as our resources are limited we have to stop at a certain point. So please touch us as soon as you want. We are open to receive small notes and visuals from the participants briefing their existing work and if they are planning anything for KIPAF-14.And of course, they do not need to stick to what they send. They can do whatever in the festival. But, this will expand our archive of communication and space for dialogue, and also help in planning the festival little better in terms of logistics and scheduling etc.

We don’t aim to create any commodity or service.

We try to create an atmosphere for communication among artists and friends and also with the place and its people. We presume that art rises or falls out of atmospheres.

Performance art offers us a medium where diverse disciplines can meet. We try to work with the bare minimum as far as money is concerned.

We organize KIPAF with small contributions and donations from friends and public bodies. We think it necessary to keep this festival as a place to practice art and interaction outside the patronage of big capital.

We are unable to offer the artists remunerations or travel expenses to and from Kolkata. We take responsibilities of the artists’ stay, food and local conveyance in Kolkata.

We are basically trying to work with the science and art of our traditional hospitality and local fair ( shadhu-shanga ) practices in our present art and urban contexts.

email address: kipaf2013@gmail.com

For More information contact
Syed Taufik Riaz (+919674259397)









Saturday, 16 November 2013

."KIT KIT KLA CLICK CLICK TA"

lets play KIT KIT,
A performance by Performers independent on 16th November , In Front of Academy Of Fine Arts , Kolkata."KIT KIT KLA CLICK CLICK TA"
Come and join to witness the game.

 

Friday, 6 September 2013

MY INSTITUTIONS SUPPORT MY CULTURE OF RAPE & I SUPPORT MY INST.

MY INSTITUTIONS SUPPORT MY CULTURE OF RAPE & I SUPPORT MY INST.
THE HELLMATE is back * Pi + S.T.Riaz ,DEADLY COMBINATION GOING POLITICAL ?? NONSENSE PERFORMANCE !!HA ! HA ! HA!@ACADEMY OF FINE ARTS,KOLKATA . DETACH THYSELF! & join — at Kolkata(calcutta) India


  1. https://www.facebook.com/media/set/?set=a.497342060353745.1073741829.340891092665510&type=1
  2. https://www.facebook.com/media/set/?set=a.497985290289422.1073741831.340891092665510&type=1

Friday, 28 June 2013

“KOTTAMOSHAI”


RESPECTED FRIEND,
A MULTIMEDIA PERFORMANCE BASED ON BINOD BEHARI MUKHERJEE’S “KOTTAMOSHAI” ,SCHEDULED TO BE PERFORMED AT TRIPTI MITRA SABHAGRIHA, FRIDAY 28TH June 2013, AT 7PM.THE EVENT IS INITIATED BY PERFORMERS INDEPENDENT (PI).YOUR PRESENCE IS HIGHLY SOLICITED .

SINCERELY YOURS.


  1. https://www.facebook.com/events/186975724798614/?ref=22
  2. https://www.facebook.com/media/set/?set=a.470873963000555.1073741826.340891092665510&type=1